Ahmed Al‑Mashraie, photographs
Night Work
Made between roughly ten at night and four in the morning, when the only things still working are the streetlights and the sky. The moon is an uncooperative subject and moves faster than it looks. One of these is a ten second exposure taken while standing very still in the cold.
Open Ground
Ridgelines, overlooks, lake edges, dunes. The Adirondacks, the Hudson Highlands, and Jabal An-Nabi Shu'ayb, the highest ground in the Arabian Peninsula. The scale is the whole problem: none of it fits in the frame, and a phone flattens whatever is left. What survives is mostly evidence of having walked up there.
Understory
Taken at arm's length instead of across a valley. Moss, vines, a spider web, water coming down rock. Most of these were made on days when the view was fogged in and there was nothing further away worth pointing at.
At a Distance
Philadelphia, New York, Albany, Sana'a. Mostly at the edges of them: from across the water, from a dark hillside, from the bottom of a stairwell. This is the only subject here that could look back, and it does not. Shot between dusk and midnight, when a city is at its most legible and least occupied.